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Manchester producer Chimpo’s ‘On The Dial’ EP on my label, Astrophonica, is an ode to his local stations, Buzz FM and LUV NRG, and suggests he was having very similar experiences. I later came to realise it’s not just me and it’s not just London. My tune selection and mixing style as a DJ was informed by hours of listening to pirates and even some of the phrases and terminology have become commonplace in my vocabulary – much the same as one has a dialect or accent. The crunchy and distorted aesthetics of a slightly out-of-tune station, the creation of a self-sufficient world with its own language, the inherently DIY nature of the whole thing, the connection to a local area and of course the manic and chopped up breakbeats.
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The deeper I look into my own genetic make-up as an artist, the more I can see the hereditary traits of the Jungle Pirate Radio stations. This created a constant feedback loop galvanising the collective consciousness of the ‘Massive and Crew’ and mobilising the sound of UK ‘Ardcore. Audience participation was encouraged via the phone line – or “0860” – in the form of shouts, dedications and requests. Simon Reynolds says in ‘Energy Flash’ that “…the pirate station keeps alive the idea of the macro-massive as a virtual presence, a latent potential, thereby shoring up the community’s belief in its own existence during the fallow, dead-time intervals before and after the rave.” I would add that Pirate Radio didn’t just provide a soundtrack for resting ravers, it brought underground music out of the rave, onto the streets and into the veins of everyday life, deepening its roots and injecting its DNA into future generations. The sense of community and localised activity is instrumental in the growth of Jungle music in the UK and beyond. Something was happening right around me and I absolutely had to find out more. I knew they were local as they’d often be sending shouts out to ‘The Stokey Crew’ or ‘The Claptonites’ and the experience of hearing this while sitting in my bedroom in Stoke Newington intensified my interest and obsession. From there I discovered Weekend Rush and Kool FM. An older friend introduced me to Chilin’ FM around 1990 and I was immediately hooked on the vibe. The music played, the cryptic slang chanted by the MCs and DJs and its seemingly unseen world was alien and exciting. As a young listener it had a mysticism about it. It sparked an interest, lit a fire and set me on a path that I continue to tread. Pirate Radio was a gateway into a world that I was otherwise too young to have any contact with. I started listening to London Pirate Radio while I was at school and it was probably the single biggest influence on how my life unfolded as an adult. Bryan Gee)Ġ6 Kinda Late For A Sunday Night (feat. It will also broadcast lost recordings of original 90s & 00s London pirate station broadcasts from the likes of Kool, Rinse, Pulse and more.ĭ2 Kinda Late for a Sunday Night (feat. Over the coming weeks, 0860.fm will broadcast interviews with Bryan Gee, Eastman, DJ Flight, Scratcha, Dextrous, Uncle Dugs, Mantra, Missing, Eddie Peake, Om Unit & Laurent Fintoni, Naina & Sherelle, Stamina MC and more. There are also a Pirate Radio Art Print from UTILE and T-Shirts.īroadcasting now on 0860.fm is an additional 90-min 'Signal Test' ambient album by Fracture.
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The project includes an album, radio station and interview series that explores the history and legacy of Pirate Radio and its importance in the development of UK underground music.Ġ860 is presented via an 8-track, DJ-friendly 2 x 12" Vinyl Album, 19-track mixtape cassette and the radio station 0860.fm, which is broadcasting now. 0860 is a project by Charlie Fieber aka Fracture inspired by London Pirate Radio.
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